INTERVIEW WITH ROBIN SCOVILL
Q: You’re married to an
HIV positive activist/dissident, so you’re in an interesting
position to make this film. Do you feel you were able to achieve
a balance, some degree of objectivity?
A: Being
so intimate with Christine and her work is actually what helped me
to arrive at the balance and objectivity that I feel and am told the
film achieves. The question of balance is always interesting to me
since we rarely see a “mainstream” presentation on AIDS
that attempts to provide a balanced view on the subject. One of the
goals of The Other Side of AIDS is to offer a counterbalance to the
20-year monologue on AIDS and open some real discussion.
Q: Did you find yourself
ever giving in to the impulse to impose a personal perspective and
propagandize a bit?
A: I’m married to
a healthy HIV positive woman who lives a normal life and doesn’t
take any AIDS drugs. We’ve conceived two healthy children together
which seems to go against conventional rules, so naturally I have a
personal perspective on this issue. Despite our experiences, I don’t
believe I impose anything in the film, but rather present a side of
AIDS to which most people have never been exposed. The objective is
to shed light on many biased aspects of mainstream AIDS information. My
film is not instructional; it allows people to make up their own minds
on the issues.
Q: You’ve been criticized
for not having enough mainstream AIDS researchers in the film and the
three you do have fall into the stereotypes of clueless bureaucrat
and one-note demagogue. How did you decide who would represent
the AIDS establishment in the film?
A: The AIDS establishment
made the decision for me on who would represent their side. We invited
many AIDS experts to participate and all of them refused except for
the ones you see in the film. This is not a unique situation. When
my wife has been scheduled to appear on television or radio programs,
the producers almost always try to find a mainstream AIDS expert to
oppose her but so far, no one has agreed to engage in direct dialogue.
ABC News, NBC News, CNN and other networks have found that this is
considered a forbidden topic in the AIDS community.
This notion of
mainstream AIDS researchers is also worth discussing. Everyone in my
film, including those raising questions about HIV is a vital part of
the mainstream. Kary Mullis won a Nobel Prize for his invention of
PCR, one of the most widely used technologies in genetics. He’s
also the V.P. and Director of Molecular Biology at Burstein Technologies.
Peter Duesberg was a Nobel candidate for his discovery of oncogenes
and is a pioneer in the field of retroviruses, of which HIV is one.
He is also is a member of the National Academy of Sciences, is a recipient
of the prestigious Outstanding Investigator Grant from the National
Institutes of Health, was named California Scientist of the Year and
is a tenured professor at UC Berkeley. Again, all very mainstream.
Rodney Richards is a founding scientist of AmGen Labs, one of
the largest and most highly regarded diagnostic/pharmaceutical companies
in the world and designed the very first HIV test. David Rasnick holds
several patents on protease inhibitors, the type of drugs used to treat
people diagnosed HIV positive.
It’s unfortunate how mainstream
scientists who challenge entrenched ideas on AIDS are marginalized
by their peers and portrayed as outcasts by the media. The real innovations
in science and medicine always come from experts thinking outside the
box.
Q: The controversial notion
of gay promiscuity in the 1970s as a probable cause of AIDS comes up
several times in the film. How do you defend a theory that appears
to both blame the victim and smack of homophobia?
A: The discussion of sexual
practices comes up in the film as part of a look at gay liberation.
It was a unique period in history in which certain portions of gay
men were defining themselves by their ability to have as much anonymous
and often times, drug fueled sex as possible. These facts are brought
up and discussed in the film by gay historians, gay medical professionals
and gay men who lived through those times. It’s a well-known
fact that the first AIDS cases in this country were among gay men who
had an average of 1,120 lifetime sexual partners. As a result of such
intense sexual contact, they were contracting a great number of viruses,
microbes, amoebas and parasites, were treated with immune damaging
prescription drugs and as the gay spokespersons in the film point out,
they also used unprecedented amounts and combinations of recreational
drugs. All these factors combined to created serious damage to their
immune systems. This is part of medical and historical fact. I think
the real controversy is not in illuminating this period and these practices,
but in the desire to revise or deny these facts.
When it comes to AIDS, I think people confuse honesty on the
topic of health risks with blaming the victim. Any effort to understand
a problem relies on an honest appraisal of all relevant facts. If anything,
the people discussed in the film were victims of a lack of understanding
and information on the potential effects of their celebratory activities.
Q: How does the idea
of sexual promiscuity and drug use square with AIDS in Africa, where
the genesis of the disease appears to be radically different?
A: AIDS in Africa is entirely
different from what we call AIDS in the developed world. Here in the
states, AIDS predominately occurs among men. Those who self identify
as men having sex with men or as men using IV drugs make up over 80%
of AIDS cases here. In Africa we’re told that AIDS
is a heterosexual epidemic affecting largely women and children. The
circumstances and criteria for diagnosing and counting AIDS are entirely
different in Africa than they are in the US and are confounded by simultaneous
epidemics of poverty, TB, malaria and other illnesses as well as problems
of widespread malnutrition and unsafe water. I put forth some of these
facts in my film “Questioning AIDS in South Africa.”
There is also a collection of literature calling into question
the estimates for Africa that we assume represent real AIDS cases but
an investigation into what is really happening in Africa reveals that
predictions for the demise of many African nations have gone unfulfilled.
For example, Uganda, once considered the epicenter of AIDS is currently
flourishing, experiencing what social scientists and economic experts
characterize as a renaissance. Botswana, the first nation predicted
to become extinct from AIDS has today one of the fastest growing populations
on the African continent. Interestingly, both countries have reversed
or erased their alleged AIDS epidemics without evidence of changed
sexual behaviors and without the importation of AIDS drugs.
Q: What about the rise of
HIV diagnoses in Hispanic and African American heterosexual populations
in the U.S?
A: Although
uncritical news sources contend that there is a rise in HIV diagnoses
in Hispanic and African American heterosexual populations, the data
to support this is highly questionable. Claims are usually based on
small sample groups, things like street corner surveys and in some
cases preferential use of statistics. It’s important to note
that the overall totals for HIV in the US haven’t changed in
eight years. The same estimate of between 650,000 and 900,000 HIV positive
Americans has been used since 1996 to say HIV is on the rise.
Q: The film glosses over
the issue of safe sex. Where does that concept stand within the theory
that HIV doesn’t cause AIDS?
A: I don’t think it’s
a prerequisite for a film on AIDS to address the safe sex issue. As
a father, I’m very concerned that people protect against unwanted
pregnancies; I know it takes a lot of love and care and commitment
to raise children. As a responsible adult, I think it’s wise
to protect oneself against sexually transmitted diseases as an overall
part of good health practices. At the same time I didn’t feel
it was necessary to reiterate the safe sex message in this film because
it isn’t a “how to” film. Safe sex has been so deeply
embedded into global pop culture that I didn’t feel the need
to repeat it.
Q: Kary Mullis and Rodney Richards
both developed systems that are now used as established AIDS protocols,
yet they are highly critical of these “standards” of use.
Their opposition hasn’t seemed to land them in the same category
as Peter Duesberg, who has been savaged. Why is that?
A: Peter Duesberg’s
fame or infamy may be due to the fact that his original paper challenging
HIV as the cause of AIDS slipped through the official radar and ended
up in a mainstream scientific journal. Censors didn’t catch on
to him until after his critique was published, and then all hell broke
loose. My wife has a copy of an alert sent from the Department of Health
and Human Services to various government agencies that shows the fear
and furor caused by his article and the effort to exert spin-control.
The attack on Duesberg was swift and merciless. He lost his grants,
his funding, his lab, his stature in the scientific community, his
ability publish, to attend professional conferences and more. This
sent a clear message that would make any other professional think twice
about speaking up on the AIDS issue.
Although detractors often characterize Duesberg as a trouble-maker,
he was actually asked to write his famous paper. Since retroviruses
had been exonerated as a cause of cancer it made sense that Duesberg
would write about HIV. With his vast knowledge and research on the
subject, the only thing Duesberg could honestly report was that HIV
as a cause of AIDS didn’t add up.
Q: Much is made of the influence
of drug companies on the AIDS dialogue. Did you find this concerned
anyone in the AIDS establishment that you spoke with?
A: Although the pharmaceutical
industry and the AIDS industry are almost synonymous, I met only a
few people that were bothered by drug company influence.
Q: Did you run into researchers
who found the theory that HIV may not cause AIDS of interest but refused
to speak on record?
A: In the five years of
research for both my films on AIDS, I’ve come in contact with
a number of medical doctors and researchers who felt that the HIV theory
was wrong, but who couldn’t risk their practices or positions
by speaking out publicly. After Duesberg, a very clear message was
sent about what happens to dissenters on this subject.
When Thabo Mbeki, the president of South Africa convened an AIDS
panel to address the AIDS crisis in his country and included Peter
Duesberg, David Rasnick and other experts with opposing views on AIDS,
he was attacked in the media, called a murderer, a fool and worse.
Nearly five years later he is still vilified in the world media although
he was recently re-elected with more than 70% of the popular vote.
Q: ACT UP has denounced
the film. Why would an organization that was once deemed radical,
close itself off from any new theories and take such issue with AIDS
dissidence?
A: From what I understand,
a few of the old guard members of ACT UP New York threatened to shut
down a screening of my film at the NewFest in New York City but did
not follow through.
I’ve noticed a number of people
and groups that are normally radical or at least skeptical about government
information, the media and multinational chemical corporations who
align themselves totally with the government, the media and the pharmaceutical
companies on the AIDS issue. It’s like our leaders have become
followers when it comes to AIDS, and I think they stake out their positions
without really looking into the issues. I believe if they did their
usual due diligence, they would alter their stance.
Q: What’s the response
been like on the festival circuit?
A: Festival selections often
represent one person’s or a small committee’s opinion and
sometimes the films selected must fit a festival’s overall thematic
vision. Given that, I feel encouraged by the number of festivals that
have selected The Other Side of AIDS.
At the festival screenings I’ve
attended, the audiences have been respectful, attentive and have participated
enthusiastically in Q and A and other discussions following the film.
Q: Do you worry about reaching
a wider audience?
A: As a filmmaker, I want my work
to reach as wide an audience as possible. As far as worrying, I worry
about people that have or will test HIV positive and as a result may
give up on their lives. I’m concerned these people might never
have the opportunity to see or hear about another side of AIDS, a side
filled with hope, health and empowerment. I made the film, because
without that other side, my wife would have given up on her life and
I wouldn’t have the beautiful family and life I now have. It’s
my hope that the film will inspire people to look deeper, think harder
and examine closer, especially those people whose lives are most directly
affected by these issues.
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